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Gramophone Jazz Good CD Guide

Blue AfternoonJim Snidero's decade as the main alto soloist in Toshiko Akiyoshi's big band has turned him into a robust and eloquent player whose heart is steeped in the Blakey tradition. This was the last of his three recording sessions with trumpeter, Brian. Lynch (Snidero now works with the equally imposing Tom Harrell) and the power and range of the partnership gives this wide-ranging session its appeal. The opening fast tempo variation on Speak Low, which Snidero calls Enforcement, has him at his flag-waving best with a fast and ideas-packed solo, matched by a fiery one from the trumpeter. The ballad treatments of Mal Waldron's Soul Eyes and Shorter's Infant Eyes show Snidero's maturity and these are both outstanding performances. The Blakey feel is heightened by the drumming of Smith who, while not emulating Art in any way, keeps a similar control of the band by replacing Blakey's thunder with a busier precision which places more emphasis on the top of the drum kit. The piano role of Benny Green is restrained when it needs to be and very buoyant elsewhere, with the expected worthy solos.- ©

Gramophone Publications Limited 1997

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Gramophone Jazz Good CD Guide

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