DOWN BEAT
October 1997
Jim Snidero
San Juan
****
Snidero and Weiskopf are members of that mid-30s demographic of journeymen N.Y.C.-based jazz players, who despite a good deal of activity and renown, remain under-recognized. Currently on indie labels, these are the type of stalwart musicians the majors should document and support.
San Juan, recorded around three years ago, bursts with vitality. Snidero's writing - he penned all but one tune here - is a deft mix of edge and compelling melody. He likes minor moods - "Web," for one - and he likes blues: The sizzling "Forward Motion" and the medium 6/8 cooker "Daze" are blues variants.
The zealous Snidero exhibits his juicy tone as he works in a modern bent, though he also values jazz's bebop past. On "Daze" and "Web," for example, he places the occasional hard dissonance next to a ripe, crying tone, or a round bop line that neatly resolves. For emotion, Kenny Dorham's gorgeous "La Mesha" is where to turn.
Solid cohorts are on hand. Hagans scores with his personal style built around selected dissonance, unexpected phrases, a biting sound and technical command. Hays is a superb supporter and telling improviser; Nelson fits in well, too. Irwin plays both big-noted lines, he solos with distinction; Hart's stickwork and fluid cymbal sound are ideal for this diverse straightahead program.
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